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HOW TO GROW A GARDEN CITY
MAY 12 - JUN 24
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This exhibit is a tribute to one of The Garden City's most essential cultural institutions—The Clay Studio of Missoula. The Clay Studio's residency program has been actively encouraging the creative, intellectual and personal growth of emerging and established visual artists for 20 years.
Selected from a pool of more than 80 past long- and short-term residents, the participating artists embody the creativity and craftsmanship, verve and vitality that distinguishes The Clay Studio’s residency program and the field of artful ceramics.
New works by eight past residents that comprise How to Grow a Garden City include:
Chris Alveshere, Crista Ann Ames, Eva Lys Champagne, Lane Chapman, Elisha Harteis, Chad Steve, Kelly Stevenson, Shalene ValenzuelaWARNING: Simply putting an artwork in your shopping cart does not mean it is reserved. The item is not yours until you place your order and pay for it. Another person may “scoop” your item if it sits in your shopping cart unattended.
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Chris Alveshere, Herb Stripper Slide, 2023
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Chris Alveshere, Pistachio Swing, 2023
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Chris Alveshere, Candy Keeper, 2023
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Chris Alveshere, Lidded Jar, 2023
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Chris Alveshere, Fruit Bowl, 2023
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Chris Alveshere, Fruit Bowl, 2023
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Chris Alveshere, Lidded Jar, 2023
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Chris Alveshere, Jewelry Box, 2023
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Chris Alveshere, Duck Toy, 2023
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Chris Alveshere, Rabbit Toy, 2023
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Chris Alveshere, Alligator Toy, 2023
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Chris AlveshereToucan Toy, 2023
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Chris Alveshere, Jewelry Box, 2023
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Chris Alveshere, Mug, 2023
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Chris Alveshere, Mug, 2023
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Chris Alveshere, Cup, 2023
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Eva Lys Champagne, A clash becomes a marriage / perselisihan menjadi pernikahan, 2023
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Eva Lys ChampagneDon't forget / jangan lupa, 2023
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Eva Lys ChampagneFamily journey remembered / perjalanan keluar ha dikenang, 2023
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Eva Lys ChampagneSecret reasons / alasan rahasia, 2023
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Eva Lys ChampagneSmall and needful / kecil tapi perlu, 2023
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Eva Lys Champagne, To the moon and back / ke bulan dan kembali, 2023
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Eva Lys Champagne, Untitled, 2023
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Eva Lys Champagne, A distant prize / hadiah yang jauh, 2023
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Lane ChapmanThe Birds of Nine Pipes, 2023
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Lane Chapman, Kestrels in the Missions, 2023
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Lane ChapmanThe Nighthawk’s Boom; Swan Valley, 2023
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Lane ChapmanMontana Wildflowers: Lupine, 2023
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Kelly Stevenson, Everything is on Fire, 2023
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Kelly Stevenson, Vase, 2023
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Kelly StevensonVase, 2023
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Kelly Stevenson, Bowl, 2023
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Kelly Stevenson, Bowl, 2023
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Kelly StevensonLidded Jar, 2023
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Kelly Stevenson, Pitcher and Cup Set, 2023
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Kelly Stevenson, Vase, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly Stevenson, Mug, 2023
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Kelly StevensonCup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly StevensonCup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Kelly Stevenson, Cup, 2023
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Shalene Valenzuela, Cinched In: The Garden, 2016
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Shalene ValenzuelaFairytale Princess 1, 2023
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Shalene Valenzuela, Making Heads or Tails of It, 2023
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Shalene ValenzuelaHung Up XII, 2023
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Shalene Valenzuela, Telephone: Blue Tangle, 2022
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Shalene ValenzuelaA Toast to Burning Desires: Masquerade, 2023
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Shalene ValenzuelaImplements of Self Construction: Unstable Subjects I, 2022
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Shalene ValenzuelaImplements of Self Destruction: Invasive, 2020
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Shalene ValenzuelaImplement of Self Construction - Masked, 2020
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Shalene ValenzuelaShaking Things Up: Archery Practice
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Shalene Valenzuela, Influencer: Instamatic!, 2022
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Shalene Valenzuela, Influencer: Instamatic!, 2022
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Shalene Valenzuela, L'Eggs Salt & Pepper Set, 2022
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Shalene Valenzuela, Paint Can: White Picket Fences, 2021
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Shalene ValenzuelaPaint Can: Bleach, the Magical Cure-All, 2021
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Shalene Valenzuela, Potholder: Peaches, 2019
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Shalene ValenzuelaApple Sugar Pot with Spoon, 2022
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Shalene Valenzuela, Hot Dog! - Fine Dining Plate I, 2021
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Shalene ValenzuelaSprinkled Donut - Fine Dining Plate I, 2021
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Shalene ValenzuelaCatty Creamer, 2022
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ARTIST BIOS
CHRIS ALVESHERE
Long-term resident, 2020-2022I like to make pots that are audacious and a bit cheeky, pieces with attitude and intention. Juicers that peek out from a shelf in the corner...cups that are easy to store but worth displaying in the open...jars that enhance the presentation of food or keep- sakes. I like pots that invite endless possibilities for peculiar usage—saffron, a single Twizzler, a collection of found cat whis- kers. Ceramic vessels need to be both purposeful and visually compelling if they are to take up precious space in one's home.
— Chris Alveshere
Chris Alveshere is an artist and educator living in Missoula, MT. He maintains a studio practice and teaches community ceramics classes. Originally from North Dakota, Chris received his BA with an emphasis in Ceramics and BFA in Art Education from Minnesota State University-Moorhead, and his MFA from the New York State College of Ceramics at Alfred University in Alfred, NY. Before pursuing his graduate degree, Chris worked as a middle and high school art teacher for three years in Fargo, ND.
CRISTA ANN AMES
Long-term resident, 2015-2017By layering mythology, iconography and personal narrative, my work explores how our own animal nature relates to the ways we establish and sustain personal relationships. I draw on my own experiences to explore pastoral life, animal husbandry, women’s craft and fertility. In bridging the gap between myth and experience, I utilize my artistic practice to create altogether new contemporary tales of joy, trauma and womanhood.
— Crista Ann Ames
Based in Ellensburg, WA, Crista Ann Ames has a BFA in Ceramics with a minor in Art History from Washington State University, and an MFA in Ceramics from the University of Montana. She has been an artist-in-residence at A.I.R. Vallauris in France, Guldagergaard International Ceramics Research Center in Denmark, the Archie Bray Foundation in Helena, Red Lodge Clay Center, and most recently Gallery One Visual Arts Center in Ellensburg, WA. In 2013 she was featured in Western Art & Architecture’s “One to Watch” column.
EVA LYS CHAMPAGNE
Long-term resident, 2010-2012This series of vessels are based loosely on the amphora—an ancient type of container, usually ceramic, with a pointed base, oval body, narrow neck, and handles, often used for storage and transport by land or sea. As an artifact, the amphora is synonymous with trade journeys over millennia and all they imply. While building this body of work my imagination probed the minutiae of lives in flux, populations in movement, driven to change for reasons both within and beyond their power: adventure, war, economic opportunity, knowledge-seeking, escape, love.
— Eva Lys Champagne
Eva Lys Champagne has a BA in Studio Art from Humboldt State University and an MFA in Ceramics from the University of Montana. For several years she traveled extensively for artist residencies, including A.I.R. Vallauris in France, Guldagergaard International Ceramic Research Center in Denmark, Watershed Center for Ceramic Arts in Maine, and Red Lodge Clay Center. Since 2019 she has lived in Bali, Indonesia, working as the full-time Managing Director of Gaya Ceramic Art Center.
LANE CHAPMAN
Long-term resident, 2019-2021I illustrate handmade vessels not only to comment on humans’ relationships with objects, but also the relationships between humans and the natural world. My illustrations speak to the beauty of the ‘small world’ and its importance within our ecosystem. I encourage viewers to see the beautiful in what is often considered disturbing or even disgusting—insects, rodents, dead animals, etc. When humans threaten the 'small world' through pollution and the destruction of habitats, we ultimately endanger our own future and viability on the planet.
— Lane Chapman
Lane Chapman is a utilitarian potter based in Missoula. Her work is influenced by the natural world and its life cycles. She has a BFA in Applied Design with an emphasis in Ceramics from the University of Arkansas at Little Rock. While at UALR, Lane was the ceramic studio assistant and Clay Guild president. She also dabbles in sculpture, drawing, printmaking, and metal-smithing.
ELISHA HARTEIS
Long-term resident, 2018-2020In one way or another, every artwork I make is a negotiated expression of my own history with the world. My art is a subjective dance between the fissures of expectation and experience. My articulations, while pointed toward something that is not collectively experienced, seek out moments when and where we can find opportunities to communicate. I attempt to convey moments where and when personal experience endeavors to participate in forming our interpretations of the world.
— Elisha Harteis
Elisha Harties has lived in Missoula most of her life. She attended Sentinel High School and was encouraged to develop her skills in Drawing and Photography. She received her BFA in Ceramics from the University of Montana and continued her education with a short-term residency at Red Lodge Clay Center and a studio assistantship at the Arrowmount School of Arts and Crafts in Tennessee. She teaches ceramics through her own business, Mud Bunneh Ceramics, and also through Missoula Public Schools, the Missoula Art Museum, and The Clay Studio of Missoula.
CHAD STEVE
Long-term resident, 2013-2015With a focus on innovation and function, I treat each piece as a small sculpture—individually wheel-thrown with fine porcelain, then decorated with a combination of slip and harvested sands. After bisque firing, each piece is lightly glazed and high fired in an atmospheric soda firing. The forms are simple and effortlessly functional, uncomplicated and approachable. The surfaces are spontaneous with natural variations transitioning between land and water.
— Chad Steve
Chad Steve was born and raised in Lake Mills, WI. He received his BFA from the University of Wisconsin-Stout and his MFA from the University of Hawaii at Manoa. Chad has instructed students at a variety of institutions such as Hawaii Potter’s Guild, Honolulu Art Museum, Montana State University, and Western Montana University. He is currently the Director of Ceramics & Sculpture at Lighthouse Art Center in Tequesta, FL.
KELLY STEVENSON
Short-term resident, 2011As a fifth-generation Montanan, I have deep roots that greatly influence the artwork I create. I find inspiration in nature and collaborate with the earth to provide the means. Like Montana’s dynamic spring weather, my work can change drastically from one project to the next: at times the act of creating reflects harsh winds and snow; at other times, like now, it’s animated by the scent of fresh spring flowers moving through the breeze.
— Kelly Stevenson
Kelly Stevenson has a BFA from Montana State University and an MFA from Georgia State University. After three years of teaching ceramics as an Assistant Professor at Berry College in Georgia, she returned to her beloved Montana roots as an artist-in- residence at the Archie Bray Foundation in Helena. Kelly has exhibited her work both nationally and internationally, has works included in private and public collections, and is featured in a handful of prominent publications. In 2021, Kelly and her mother—ceramic artist Marie Stevenson—opened Teslow Art Center in Livingston, MT.
SHALENE VALENZUELA
Long-term resident, 2007-2009I reproduce everyday common objects primarily through slipcasting, and illustrate the surfaces with hand-painted, often narrative imagery that references fairytales, urban mythologies, consumer culture, societal expectations, etiquette, politics, and coming-of-age issues. My imagery draws from dated sources that represent an idealized time in society and advertising. Beneath the shiny veneer of these relics hides a complex and sometimes contradicting truth about how things may appear upon first glance.
— Shalene Valenzuela
Shalene Valenzuela was born and raised in Santa Barbara, CA. She has a BA in Art Practice from the University of California at Berkeley, and an MFA in Ceramics from California College of Arts and Crafts. Shalene has been a guest artist and speaker at numerous art centers and universities; her work has been featured in many group and solo exhibitions nationally. For the past ten years has served as The Clay Studio of Missoula’s executive director.